Download Piano Chord Chart PDF

TitlePiano Chord Chart
Tags Harmony Musicology Elements Of Music Chord (Music)
File Size28.1 MB
Total Pages95
Table of Contents
                            FREE_Keyboard_Page_1_Cover.pdf
FREE_Keyboard_Page_2-23_Front_Matter_&_Parts_1-11.pdf
FREE_Keyboard_Page_24_KeyboardA_FullSize_SharpLite_Watermarked.pdf
FREE_Keyboard_Page_25_Part_12_Intro_to_Size_A_Sections.pdf
FREE_Keyboard_Page_26_KeyboardA1_from_PDF_SharpLite_Watermarked.pdf
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FREE_Keyboard_Page_44_Part_13_Intro_to_Size_B_FullSize.pdf
FREE_Keyboard_Page_45_Size_B_FullSize_Sharplite_Photomerge.pdf
FREE_Keyboard_Page_46_Part_14_Intro_to_Size_B_Sections.pdf
FREE_Keyboard_Page_47_KeyboardB1_from_PDF_SharpLite_Watermarked.pdf
FREE_Keyboard_Page_48_KeyboardB2_from_PDF_SharpLite_Watermarked.pdf
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FREE_Keyboard_Page_86_KeyboardB40_from_PDF_SharpLite_Watermarked.pdf
FREE_Keyboard_Page_87_Part_15_Intro_to_Chord_Prog_Chart.pdf
FREE_Keyboard_Page_88_Chord_Progression_Chart_with_Watermark.pdf
FREE_Keyboard_Page_89_Part_16_Other_Charts_in_Series.pdf
FREE_Keyboard_Page_90_Part_16_Other_Charts_in_Series.pdf
FREE_Keyboard_Page_91_Part_16_HMRW_T_of_C.pdf
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Document Text Contents
Page 1

The Home-Printable Wall Chart and Chord Book

Free (Sponsored) Version

by

Wayne Chase

For complete information on how to use chords and chord progressions effectively, see



The Essential Handbook for Songwriters, Performers, and Music Students, 2nd Edition

by Wayne Chase

www.HowMusicReallyWorks.com

Page 2

ALSO BY WAYNE CHASE

How Music REALLY Works!

The Gold Standard Song List

Roedy Black’s Complete Guitar Chord Poster

Roedy Black’s Guitar & Keyboard Scales Poster

Roedy Black’s Musical Instruments Poster

Roedy Black’s Chord Progression Chart

Page 94

ROEDY BLACK’S COMPLETE KEYBOARD CHORD POSTER • WAYNE CHASE 94

9.8 10 Techniques for Creating Emotionally Powerful Tunes (#3):
Use Sequences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 604

9.9 10 Techniques for Creating Emotionally Powerful Tunes (#4):
Use the Same Rhythm Pattern with Multiple Melodies . . . . . . . . . . . . . 607

9.10 10 Techniques for Creating Emotionally Powerful Tunes (#5):
Mix Up Steps, Leaps, and Repeats . . . . . . . . . . . . . . . . . . . . . . . . . . . . 609

9.11 10 Techniques for Creating Emotionally Powerful Tunes (#6):
Mix Up Note Values . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 614

9.12 10 Techniques for Creating Emotionally Powerful Tunes (#7):
Use Modulation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 616

9.13 10 Techniques for Creating Emotionally Powerful Tunes (#8):
Use Non-chord (Non-harmonic) Tones on Accented Beats . . . . . . . . . . . 617

9.14 10 Techniques for Creating Emotionally Powerful Tunes (#9):
Use Modal Scales with Diatonic Chords . . . . . . . . . . . . . . . . . . . . . . . . 621

9.15 10 Techniques for Creating Emotionally Powerful Tunes (#10):
Incorporate a (Repeating) Melodic Climax . . . . . . . . . . . . . . . . . . . . . . 623

9.16 Putting It All Together: A Suggested Approach to Composing Tunes . . . 628
9.17 Melody: Unity, Variety, and Emotional Impact . . . . . . . . . . . . . . . . . . . 636

10 How Lyrics REALLY Work 641
10.1 Evolution and Language: The Biology of Lyrics . . . . . . . . . . . . . . . . . . . 641
10.2 Lyrics in Semantic Space: The Central Importance of EPA . . . . . . . . . . . 645
10.3 Lyrical Emotion: Choice of Words . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 650
10.4 10 Techniques for Creating Emotionally Powerful Lyrics (#1):

Use Four Essential Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 658
10.5 10 Techniques for Creating Emotionally Powerful Lyrics (#2):

Use a High Proportion of Personal Words . . . . . . . . . . . . . . . . . . . . . . 659
10.6 10 Techniques for Creating Emotionally Powerful Lyrics (#3):

Use a High Proportion of Personal Sentences . . . . . . . . . . . . . . . . . . . . 663
10.7 10 Techniques for Creating Emotionally Powerful Lyrics (#4):

Prefer Concrete Symbols and Imagery to Abstract Ideas and Concepts . . 666
10.8 10 Techniques for Creating Emotionally Powerful Lyrics (#5):

Sail Beyond the Horizon of Logic and the Real World—But Use
the Wundt Curve to Chart Your Way . . . . . . . . . . . . . . . . . . . . . . . . . . 668

10.9 10 Techniques for Creating Emotionally Powerful Lyrics (#6):
Know How to Proportion Unique Content-words, Function-words,
and Repeated Words . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 674

10.10 10 Techniques for Creating Emotionally Powerful Lyrics (#7):
Live for Parallel Construction, Die for Parallel Construction . . . . . . . . 676

10.11 10 Techniques for Creating Emotionally Powerful Lyrics (#8):
Find Time to Rhyme . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 683

10.12 10 Techniques for Creating Emotionally Powerful Lyrics (#9):
Adhere to the Accent-matching Law (for the Most Part) . . . . . . . . . . . 696

10.13 10 Techniques for Creating Emotionally Powerful Lyrics (#10):
Don’t Hesitate to Revise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 704

10.14 Putting It All Together: A Suggested Approach to Composing Lyrics . . 706
10.15 Lyrics: Unity, Variety, and Emotional Impact . . . . . . . . . . . . . . . . . . . 732

Page 95

ROEDY BLACK’S COMPLETE KEYBOARD CHORD POSTER • WAYNE CHASE 95

11 How Repertoire, Signature, and Performance
REALLY Work 737

11.1 Repertoire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 737
11.2 Your Signature Sound and Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 745
11.3 Performing Live . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 765
11.4 Performing in the Studio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 774

PART IV: MAKING A LIVING IN MUSIC

12 How the Music Business and Music Entrepreneurship
REALLY Work 779

12.1 Starters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 780
12.2 Your Public Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 787
12.3 Your Own Label . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 797
12.4 Indie Labels and Major Labels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 809

Epilogue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 821

RESOURCES AND REFERENCES
Appendix 1: Roedy Black’s Chord Progression Chart . . . . . . . . . . . . . . . . . . . 825
Appendix 2: Useful Websites and Resources . . . . . . . . . . . . . . . . . . . . . . . . . . 829
Appendix 3: Winners of the Moose Nobel Prize in Music, 1901-2006 . . . . . . . 831
Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 839
References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 847
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 869

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